Read e-book online A Companion to Contemporary French Cinema PDF
By Alistair Fox, Michel Marie, Rapha?lle Moine, Hilary Radner
A better half to modern French Cinema provides a complete choice of unique essays addressing all facets of French cinema from 1990 to the current day.
• Features unique contributions from most sensible movie students in relation to all features of up to date French cinema
• Includes new study on issues on the subject of the political economic system of up to date French cinema, advancements in cinema coverage, viewers attendance, and the kinds, development, and protection of theaters
• Utilizes groundbreaking examine on cinema past the fiction movie and the cinema-theater akin to documentary, beginner, and electronic filmmaking
• Contains an strangely huge variety of methodological techniques and views, together with these of style, gender, auteur, undefined, fiscal, big name, postcolonial and psychoanalytic studies
• Includes essays by means of very important French cinema students from France, the united states, and New Zealand, a lot of whose paintings is right here provided in English for the 1st time
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Extra resources for A Companion to Contemporary French Cinema
8% in 1998, while its competitor exceeded 63%. 7 million entries in France. Despite this reversal, French cinema constitutes an exception in the Western world on account of the resistance it mounts to the domination of Hollywood (often considered irresistible), owing to the French regulatory system, which has become a benchmark for all countries aspiring to set up a viable alternative. Since then, French cinema has recovered. Its market share has bounced back with an average of 39% between 2001 and 2012, while American cinema has dropped to an average of 47%, which nevertheless allows it to remain in first place (excluding two exceptional years, 2006 and 2008).
With Taken 2, in contrast, the aim was to disguise the fact that the film was French. Indeed, audiences have regarded it as a Hollywood film, and that seems to have contributed to its success. Another type of film has succeeded in attracting a large audience overseas: animal films (Le Peuple migrateur / Winged Migration in 2001, and especially La Marche de l’Empereur / March of the Penguins in 2005). French films that have been most successful in international markets seem to be those that have succeeded in erasing their origin.
While this represents a victory for those who are convinced of the necessity for, and the benefits of, regulatory policies, particularly in the field of culture, the battle is far from over. As bilateral talks between the European Union and the United States continue, European filmmakers accuse Brussels of wanting to sacrifice the existing “cultural exception,” and fear that cinema could be the collateral victim of broader commercial decisions taken within the framework of a new trade agreement that would mandate competition in a more “open” market in the search for greater economic efficiencies.
A Companion to Contemporary French Cinema by Alistair Fox, Michel Marie, Rapha?lle Moine, Hilary Radner